There are strong found family ties between them, which I love.
And I really like that scene in episode 13 when they calm Da Qing and Lao Li pets him as if one would pet a cat.
Yes! I love that moment. It's especially meaningful, too, after we get the flashback and learn Lao Li had once thought of Da Qing (however briefly) as a monster. Petting him like a cat is acknowledging that he is a cat, as well as human. It's so affectionate.
I found his death scene and Da Qing's grief very affecting.
I did, too. Poor Da Qing! He loses almost everyone! I admired how Lao Li tried to stand up to the Crows. And then his dying regret is not being able to cook for Da Qing one more time. ;__;
I thought everybody but Wang Zheng lived somewhere else.
Yeah, that could be. And if Lao Li doesn't live there, that could explain why sometimes he's not included when everyone else is. It was something I wondered about in the scene when Zhu Jiu tries to break in, because it's night, and Lao Li is there, carving something.
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There are strong found family ties between them, which I love.
And I really like that scene in episode 13 when they calm Da Qing and Lao Li pets him as if one would pet a cat.
Yes! I love that moment. It's especially meaningful, too, after we get the flashback and learn Lao Li had once thought of Da Qing (however briefly) as a monster. Petting him like a cat is acknowledging that he is a cat, as well as human. It's so affectionate.
I found his death scene and Da Qing's grief very affecting.
I did, too. Poor Da Qing! He loses almost everyone! I admired how Lao Li tried to stand up to the Crows. And then his dying regret is not being able to cook for Da Qing one more time. ;__;
I thought everybody but Wang Zheng lived somewhere else.
Yeah, that could be. And if Lao Li doesn't live there, that could explain why sometimes he's not included when everyone else is. It was something I wondered about in the scene when Zhu Jiu tries to break in, because it's night, and Lao Li is there, carving something.