He's easily the most boring character in the entire series. And not even attractive to make up for it.
And she has no patience for Wang Xiangyang's villain monologues.
One of the things I love most about her!
Shen Wei, internally: "If only we could ignore your xenophobe dad and just be like this forever."
LOL I wouldn't even blame him. Not that he'd ever!
Shen Wei wonderful talking Zhao Yunlan down. And all the touching!
I find it impressive that everyone is still at the SID when news of the kidnapping comes in just before midnight. There was no emergency until then, do they all live there? Does noone ever go home?
Taiwan has 28 million people and about 4k people with the surname 华. Assuming a similar density of people with that surname in Dragon City and that all of them are called 华玉柱,
I don't follow, why would we assume that 'all of them are called 华玉柱'? Am I missing something?
The "hold shot constant but change focus from one thing to another" technique is pretty common in cinematography, but this is the first time I recall seeing it in Guardian!
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He's easily the most boring character in the entire series. And not even attractive to make up for it.
And she has no patience for Wang Xiangyang's villain monologues.
One of the things I love most about her!
Shen Wei, internally: "If only we could ignore your xenophobe dad and just be like this forever."
LOL I wouldn't even blame him. Not that he'd ever!
Shen Wei wonderful talking Zhao Yunlan down. And all the touching!
I find it impressive that everyone is still at the SID when news of the kidnapping comes in just before midnight. There was no emergency until then, do they all live there? Does noone ever go home?
Taiwan has 28 million people and about 4k people with the surname 华. Assuming a similar density of people with that surname in Dragon City and that all of them are called 华玉柱,
I don't follow, why would we assume that 'all of them are called 华玉柱'? Am I missing something?
The "hold shot constant but change focus from one thing to another" technique is pretty common in cinematography, but this is the first time I recall seeing it in Guardian!
Isn't it used in the battle couple scene?
Loving that shot of Sha Ya flanked by goths.